DTIS Filmography

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Queer Cinema
  • After Hours, Martin Scorsese, 1985.
  • Amore in corso, Bernardo Bertolucci, 1989.
  • La cage aux folles, Edouard Molinaro, 1972.
  • La cage aux folles II, Edouard Molinaro, 1980.
  • La cage aux folles III, Georges Lautner, 1985.
  • Caravaggio, Derek Jarman, 1986.
  • Casanova, Federico Fellini, 1976.
  • Cruising, William Friedkin, 1980.
  • The Conformist, Bernardo Bertolucci, 1970.
  • The Damned, Luchino Visconti, 1969.
  • Death in Venice, Luchino Visconti, 1971.
  • Designing Woman, Vincente Minnelli, 1957.
  • Diary of a Mad Housewife, Frank Perry, 1970.
  • Dog Day Afternoon, Sidney Lumet, 1975.
  • Ernesto, Salvatore Samperi, 1979.
  • The Fan, Edward Bianchi, 1981.
  • Il fiore delle mille e una notte, Pier Paolo Pasolini, 1974.
  • The Girl with the Golden Eyes, Jean-Gabriel Albicocco, 1961.
  • Happy Birthday Gemini, Richard Benner, 1980.
  • High Infidelity, Franco Rossi, 1964. “The Scandal”
  • Immacolata e Concetta, l’altra gelosia, Salvatore Piscicelli, 1979.
  • The Kiss, Bruno Barreto, 1981.
  • Knightriders, George Romero, 1981.
  • Libera, Pappi Corsicato, 1993.
  • Loot, Silvio Narizzano, 1971.
  • Ludwig, Luchino Visonti, 1972.
  • Mary per sempre, Marco Risi, 1989.
  • “Nunzio’s Second Cousin”, Tom DeCerchio (short), 1994. Boys Life 2.
  • Gli occhiali d’oro, Giuliano Montaldo, 1987.
  • Odds against Tomorrow, Robert Wise, 1959 (Harry Belafonte)
  • Ornella, Dino Risi, 1969. “Vedo nudo”
  • La patata bollente, Steno, 1979.
  • Persona, Ingmar Bergman, 1966.*
  • Play it as it Lays, Frank Perry, 1972.
  • Salò o le 120 giornate di Sodoma, Pier Paolo Pasolini, 1975.
  • Il sapore del grano, Gianni Da Campo, 1986.
  • Saturday Night Fever, John Badlham, 1977.
  • Satyricon, Federico Fellini, 1969.
  • A Special Day, Ettore Scola, 1977.
  • Splendori e miserie di Madame Royale, Vittorio Caprioli, 1970.
  • Staying Alive, Sylvester Stallone, 1983.
  • Strange Cargo, Frank Borzage, 1940.
  • Tea and Sympathy, Vincente Minnelli, 1956.
  • Teorema, Pier Paolo Pasolini, 1968.
  • Thunderbolt and Lightfoot, Michael Cimino, 1974.
  • To Forget Venice, Franco Brusati, 1979.
Migrant Cinema
Trauma & Cinema
Ablebodyness & Cinema

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